How to Wear Bold Prints: A Designer's Guide for Beginners | Sandhya Garg

How to Wear Bold Prints — Even If You're Nervous About Them

Sandhya Garg — A Designer's Guide

How to Wear Bold Prints — Even If You're Nervous About Them

The Print Ladder · Styling · Mixing Prints · 12 New Arrivals · XS–3XL

Quick Answer

To wear a bold print, let it be the only loud thing: plain shoes, simple jewellery, clean hair. Pull your accessory colour from the print itself — ideally one of its smaller colours. Choose a silhouette you already love, so only the print is new. And if a full print feels like too much, start lower on the ladder: a woven pattern, a printed jacket over something plain, or a print with structure, before working up to all-over colour.

I hear it all the time: "I love your prints, but I'm not sure I could wear something that bold." My answer is always the same — yes, you can. Bold prints aren't reserved for a certain body, personality or occasion. They're for anyone who wants to wear something with a story.

The trick isn't being "bold enough". It's knowing a few principles that let the print shine while you feel completely comfortable — and knowing that you don't have to start at the top. I draw every print in my collection by hand, so here's what I've learned about wearing them.

The Print Ladder: Start Where You're Comfortable

Most people who are nervous about prints try to jump straight to the loudest dress in the shop, feel exposed, and decide prints aren't for them. Take it one rung at a time instead. Each step adds a little more pattern, and by the time you reach the top it won't feel like a leap.

RUNG 1

Pattern woven into the cloth

RUNG 2

A printed jacket over something plain

RUNG 3

Print with structure

RUNG 4

Full print, one colour family

RUNG 5

Full print, every colour

New Arrivals · Twelve Pieces · Five Rungs

Climb the Ladder

From the quietest pattern to the loudest print — every rung with pieces from the newest collection.

Rung 1 — Pattern Woven Into the Cloth

The pattern is in the texture, not the colour. From across a room it reads almost solid; up close it's rich. The gentlest possible start.

Kamal light pink woven jacquard mini dress

Woven Jacquard · Full Size Run

Kamal Pink Jacquard Mini

One colour, with the pattern woven into the structure of the fabric. It trains your eye to enjoy pattern without any colour risk at all.

Mehtab grey tonal lurex twist-knot midi dress

Tonal Lurex · Evening

Mehtab Twist-Knot Dress

Grey in graduated tones with lurex woven through. Pattern that shows only as the light moves across it — the quietest statement in the collection.

Rung 2 — A Printed Jacket Over Something Plain

The pattern frames you rather than covering you — and if you lose your nerve, it comes off. Wear over a solid dress, jeans or wide trousers.

Fleur blue cotton tapestry jacket with beaded geometric embroidery

2 Reviews · Cotton Tapestry

Fleur Blue Tapestry Jacket

A geometric pattern with beading and a mandarin collar. Over a plain navy or white dress it does all the work, and you stay in control of how much print you're wearing.

Lucia blue tapestry jacket with net overlay

Full Size Run · Statement Layer

Lucia Blue Tapestry Jacket

Net over woven tapestry — pattern with depth. The easiest way to bring print into a wardrobe that's mostly solids: it goes over everything you already own.

Rung 3 — Print With Structure

A full print, but broken up by a collar, a placket and a belt. The structure gives your eye somewhere to rest, so the print feels contained.

Versailles pink printed shirt dress with collar

4 Reviews · Shirt Dress

Versailles Printed Shirt Dress

Pink botanicals framed by ornamental borders, on a structured shirt dress. The collar and placket break the print up into manageable sections.

Bagh orange floral mini shirt dress

Newest In · Customer Favourite

Bagh Orange Shirt Dress

One customer wrote that strangers kept stopping her to compliment it. Orange florals on a shirt dress — a bold print held in a very familiar shape.

Rung 4 — Full Print, One Colour Family

Print from neckline to hem, but in related shades. It reads as a colour first and a pattern second, which is why it feels calmer than it looks.

Antonia green and teal printed A-line maxi dress

4 Reviews · Greens & Teals

Antonia Green Maxi Dress

Ornamental print in green, teal and mint panels. Mostly one family, so from a distance you read as "the woman in green" rather than "the woman in the busy print".

Queen pink and purple printed wrap midi dress

4 Reviews · Pinks & Purples

Queen Wrap Midi Dress

Pink deepening into purple, cut as a wrap with long sleeves. If wraps are already your shape, this is Rule 2 in action: only the print is new.

Rung 5 — Full Print, Every Colour

The top of the ladder. Many colours, all-over pattern — and by now it won't feel like a leap. This is where the rules below matter most.

Carolina pink one-shoulder maxi dress in multicolour scrollwork

Newest Arrival · 3 Reviews

Carolina Pink One-Shoulder Maxi

Pink, purple, cobalt and blush in diagonal scrollwork, with one bare shoulder — Rule 3 built in. The bare skin gives a busy print room to breathe.

Sophie printed bell sleeve midi dress in blue, pink, mint and teal panels

3 Reviews · Four Colourways

Sophie Printed Midi Dress

Four colourways of one print in vertical panels. The vertical lines keep so many colours organised — pattern with a clear order to it.

Duchess red and pink ornamental print maxi kaftan

4 Reviews · Kaftan

Duchess Red Kaftan Dress

Heritage ornament in red and pink over a flowing kaftan. The loose shape lets a dense print move rather than cling, which makes it far easier to wear than it looks.

Louis pink and red printed halter midi dress

4 Reviews · Halter

Louis Halter Printed Midi

A halter leaves the shoulders bare and draws the eye up to your face, so the print sits below as a backdrop. Bold, but it keeps you as the focus.

Most styles XS · S · M · L · XL · XXL · XXXL · Size chart · Made to measure

Five Rules for Wearing a Bold Print

1 · Let the print be the only loud thing

The most common mistake is competing with the print. When the dress is doing the work, your shoes, jewellery and hair should step back. Think of the print as the picture and everything else as the frame: plain shoes, simple jewellery, a clean hairstyle.

Designer tip: Match one colour from the print to your shoes or bag. My advice is to pick one of the smaller colours rather than the main one — a teal clutch with a mostly pink dress looks considered, where a pink clutch just looks matched.

2 · Choose a silhouette you already love

If you're new to bold prints, start with a shape you already feel confident in. Love wrap dresses? Get one in a print. Always reach for a halter? Find a printed version. When the silhouette is familiar, only the print is new — and one new thing is exciting rather than overwhelming. What each shape does is in the silhouette guide.

3 · Give the print some breathing room

A bit of bare skin — an off-shoulder, one-shoulder or halter neckline — balances a busy print. The clean line creates a pause, so the pattern never feels like too much. It also draws attention up towards your face, so you're wearing the print rather than the print wearing you.

4 · Scale is the whole story

Small, ditsy prints read as sweet; large, painterly ones read as a statement. Neither is right or wrong, but it's the scale — not the colour — that decides how "bold" a print feels. How to read scale, ground colour and repeat before you buy is in the guide to choosing a floral.

5 · Own it

The moment you stop second-guessing yourself is the moment the outfit clicks. Nearly every compliment I hear from customers comes down to the same thing: they put on something bold and realised it was exactly right for them.

"Amazing designer you are! Love your designs!"

— Annette N., UK

Ready for More? Mixing Two Prints

Once a single print feels natural, you can wear two. There are really only two rules, and every good print-mixed outfit follows both:

Change the scale

Pair a large print with a small one, or a busy one with a geometric one. Two prints of the same size fight each other; two different sizes take turns.

Share one colour

Make sure one colour runs through both prints. That shared thread is what makes two patterns look like a decision rather than an accident.

Fleur blue geometric tapestry jacket, a smaller-scale geometric print Sophie printed midi dress in larger-scale scrollwork panels with blue

A small geometric and a larger scrollwork, with blue running through both. Different scale, shared colour — both rules at once.

The easiest place to start is a printed jacket over a printed dress: the Fleur's blue geometric over the Sophie, for example, where the blues match and the scales differ. For more on wearing many colours at once, see our note on multicolour.

Frequently Asked Questions

How do I wear a bold print if I usually wear solids?

Start small. A woven pattern or a printed jacket over something plain lets you get used to pattern without committing to a full print. Choose a silhouette you already wear, so the print is the only new thing, and keep your accessories simple.

What shoes and jewellery go with a printed dress?

Plain ones. Solid shoes and simple jewellery frame the print instead of competing with it. For colour, pull one shade from the print — one of the smaller ones looks more considered than the main one.

Can you wear bold prints at any size?

Yes. Bold prints aren't reserved for any body type. Large-scale prints tend to hold their proportion better across the size range than tiny repeats, and every style here is graded individually from XS to 3XL. More in our guide to grading.

How do you mix two prints without clashing?

Change the scale and share a colour. Pair a large print with a smaller or geometric one, and make sure at least one colour runs through both. A printed jacket over a printed dress is the easiest way to try it.

Are bold prints appropriate for a wedding?

Yes — a print on a coloured ground is one of the safest wedding guest choices, because it can never be mistaken for bridal white. Avoid prints on a white or cream background. More in the wedding guest colour guide.

Are your prints original?

Yes. I draw every print by hand before it becomes a file, and each goes through many versions before production. The process is in how a drawing becomes a dress.

Keep Reading

About the Writer

Sandhya Garg is a Project Runway Season 13 designer who won two challenges on the show and presented her collection at Mercedes-Benz New York Fashion Week. She studied womenswear and textile design at London College of Fashion and worked at Alexander McQueen, Gucci, Liberty London, and Alice Temperley. She draws every print in the collection by hand — featured in Marie Claire, Elle, Cosmopolitan and Vogue online, in sizes XS–3XL with made to measure available.

Project Runway · Vogue · Marie Claire · XS–3XL

Start on any rung. Just start.

Sandhya Garg is a Los Angeles boutique creating limited-edition artisanal dresses in original hand-drawn prints, hand embroidery and heritage textiles. Sizes XS–3XL, shipped from Scottsdale within 1–3 days.


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About the
author

Sandhya Garg is a Project Runway fashion designer. She studied and specialized in women's fashion at London College of Fashion, UK and has worked at Alexander McQueen, Gucci, Liberty London, Alice Temperley to name a few.

She has her own successful resort wear, vacation dresses, special occasion dresses, wedding guest looks, swim coverups label. While on Project Runway Season 13, she won 2 challenges and was fortunate to show her collection at Mercedes-Benz New York Fashion Week. The brand has been featured in Marie Claire US,Workshop at Macy's, Ftv.com, Elle Magazine, Cosmopolitan Magazine, Vogue online to name a few. 

She designs limited edition high end printed spring dresses, casual resort attire and swim coverups. Beautiful prints are inspired from around the world to be worn during travel, resort stay or cruise holidays.