Samode Palace

    "Samode" Collection is inspired from Samode Palace in Jaipur, Rajasthan. Discover my one-of-a-kind creations. Each piece is handcrafted in our atelier by our master artisans of the most exquisite vintage luxury fabrics which are printed from my own hand-painted. hand drawn art.
    Inspired by the beautiful 475-year-old Samode palace in Jaipur, Rajasthan, India. The palace is a celebration of the senses, underlined at all times by contemporary luxury.
    Exclusive and discreet, Samode Palace has been host to royalty, celebrities, artists, and the discerning traveller. A splendid example of regal Indo-Saracenic architecture, the Palace combines the best of Indian and Mughal styles.

    According to the Samode Palace website

    Exclusive and discreet, Samode Palace has been host to royalty, celebrities, artists, and the discerning traveller. Awaken to the quiet dawn, or have a cocktail on the terrace garden to the accompaniment of folk musicians. Run your fingers across the intricate story of an ancient mural on an uneven wall. Emerge from a gentle healing massage at the spa, or perhaps just sink into the lavish bed in your room. Samode Palace weaves its magic on you.

    As per wikipedia- Indo-Saracenic architecture (also known as Indo-Gothic, Mughal-Gothic, Neo-Mughal, Hindoo style) was a revivalist architectural style mostly used by British architects in India in the later 19th century, especially in public and government buildings in the British Raj, and the palaces of rulers of the princely states.  It drew stylistic and decorative elements from native Indo-Islamic architecture, especially Mughal architecture, which the British regarded as the classic Indian style, and, less often, from Hindu temple architecture. The basic layout and structure of the buildings tended to be close to that used in contemporary buildings in other revivalist styles, such as Gothic revival and Neo-Classical, with specific Indian features and decoration added.

    "India is a place where color is doubly bright. Pinks that scald your eyes, blues you could drown in."

    – Kiran Millwood Hargrave

    Confluence of different architectural styles had been attempted before during the mainly Turkic, Delhi Sultanate and Mughal periods. Turkic and Mughal incursions in the Indian subcontinent, introduced new concepts in the much more advanced high architecture of India. The prevailing style of architecture was trabeate, employing pillars, beams and lintels, with less emphasis on arches and domes used during earlier Buddhist periods. The Turkic invaders brought in the arcuate style of construction, with more emphasis on arches and beams, which flourished with Mughal and Taluqdars by building and incorporating Indian architecture, especially Rajasthani temple architecture and Imperial Indian palace/fort/urban architecture as well.

    Local influences also lead to different 'orders' of the Indo-Islamic style. After the disintegration of the Turkic Delhi Sultanate, rulers of individual states established their own rule and hence their own architectural styles which were imitations of local/regional Indian architectural schools. Examples of these are the 'Bengal' and the 'Gujarat' schools. Motifs such as chhajja (A sunshade or eave laid on cantilever brackets fixed into and projecting from the walls), corbel brackets with richly carved pendentive decorations (described as stalactite pendentives), balconies, kiosks or chhatris and minars (tall towers) were characteristic of the Indian imitated Mughal architecture style, which was to become a lasting legacy of the nearly four hundred years of the Mughal presence in these areas.